Henrietta is a true original. Clever, vivacious and interested in everything, she managed to balance the demands of high profile public life with that of a caring mother. She was the home-schooled daughter of a bankrupt Earl and more than just a little bit in love with her handsome wayward brother, but had been married off to a plump pudding of a man, the nabob Edward Clive, governor of Madras. And her partial escape was to ride across southern India (in a vast tented caravan propelled by dozens of elephants, camels and a hundred bullock carts) and write home. For centuries this account, the first joyful description of India by a British woman, remained unread in a Welsh castle. Fortunately it was transcribed by a Texan traveller, who went on to splice this already evocative memoir with complementary sections from the diary of Henrietta's precocious daughter, the 12-year old Charly and images of their artist companion, Anna Tonelli. The resulting labour of love and scholarship is Birds of Passage, a unique trifocular account of three very different women travelling across southern India in the late 18th century, in the immediate aftermath of the last of the Mysore Wars between Tipoo Sahib and the Raj. Half a generation later, the well travelled Charly would be chosen as tutor for the young princess Victoria, the First Empress of India.

In the sixteenth and seventeenth centuries, Russians from all ranks of society were bound together by a culture of honor. Here one of the foremost scholars of early modern Russia explores the intricate and highly stylized codes that made up this culture. Nancy Shields Kollmann describes how these codes were manipulated to construct identity and enforce social norms—and also to defend against insults, to pursue vendettas, and to unsettle communities. She offers evidence for a new view of the relationship of state and society in the Russian empire, and her richly comparative approach enhances knowledge of statebuilding in premodern Europe. By presenting Muscovite state and society in the context of medieval and early modern Europe, she exposes similarities that blur long-standing distinctions between Russian and European history.Through the prism of honor, Kollmann examines the interaction of the Russian state and its people in regulating social relations and defining an individual's rank. She finds vital information in a collection of transcripts of legal suits brought by elites and peasants alike to avenge insult to honor. The cases make clear the conservative role honor played in society as well as the ability of men and women to employ this body of ideas to address their relations with one another and with the state. Kollmann demonstrates that the grand princes—and later the tsars—tolerated a surprising degree of local autonomy throughout their rapidly expanding realm. Her work marks a stark contrast with traditional Russian historiography, which exaggerates the power of the state and downplays the volition of society.

Through the prism of honor, Kollmann examines the interaction of the Russian state and its people in regulating social relations and defining an individual's rank. She finds vital information in a collection of transcripts of legal suits brought by elites and peasants alike to avenge insult to honor. The cases make clear the conservative role honor played in society as well as the ability of men and women to employ this body of ideas to address their relations with one another and with the state. Kollmann demonstrates that the grand princes -- and later the tsars -- tolerated a surprising degree of local autonomy throughout their rapidly expanding realm. Her work marks a stark contrast with traditional Russian historiography, which exaggerates the power of the state and downplays the volition of society.

Focusing on the lived experience of individuals in Russia and Ukraine, twelve essays explore continuity and change comparatively and in the context of larger interpretative issues, such as popular culture, mentality, and religiosity.